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Content
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I Techniques (general)
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I.1 Fresco
I.2 Tempera (Secco)
I.3 Oil
I.4 Sgraffito
I.5 Stucco
I.6 Other
II Architecture
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II.1 Structure
II.2 Therory
III Materials
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III.1 Supports
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III.1.1 Stone
III.1.2 Bricks
III.1.3. Plaster | Coat
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III.1.3.1 Limestone | Lime
III.1.3.2 Gypsum | Plaster
III.1.3.3 Sand
III.1.3.4 Pozzolan
III.1.3.5 Water
III.1.4 Wood
III.1.5 Canvas
III.1.6 Other
III.2 Binders
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III.2.1 Lime | Plaster
III.2.2 Egg
III.2.3 Glue
III.2.4 Gum
III.2.6 Casein
III.2.7 Other
III.3 Pigments
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III.3.1 Inorganic Pigments
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III.3.1.1 Inorganic Natural
III.3.1.2 Inorganic Artificial
III.3.2 Organic Pigments
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III.3.2.1 Organic Natural
III.3.2.2 Organic Artificial
III.3.3 Colours
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III.3.3.1 White
III.3.3.2 Yellow
III.3.3.3 Red
III.3.3.4 Blue
III.3.3.5 Green
III.3.3.6 Brown
III.3.3.7 Black
IV Devices | Instruments
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IV.1 Scaffolding
IV.2 Masonry Tools
IV.3 Paintbrushes
IV.4 Palettes
IV.5 Pigment Preparation Tools
IV.6 Modells | Manequins
V Process
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V.1 Coating | Plastering
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V.1.1 Arriccio
V.1.2 Intonaco
V.1.3 Giornate
V.2 Mixing Colours
V.3 Tracing | Underdrawing
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V.3.1 Sinopia
V.3.2 Incision
V.3.3 Pouncing | Spolvero
V.3.4 Underdrawing
V.3.5 Grid
V.4 Painting
V.5 Retouching
V.6 Gilding
VI Preparatory Drawings
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VI.1 Sketches | Pensieri
VI.2 Studies | Bozzetti
VI.3 Models | Modelli
VI.4 Cartoons | Cartoni
VII Perspective Projection
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VII.1 Perspective General
VII.2 Projection | Quadratura
VII.3 Perspectographs
VIII Artistic Theories
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VIII.1 Colouring
VIII.2 Disegno
VIII.3 Invention
VIII.4 Proportions
VIII.5 Style
VIII.6 Other
VIIII History
X Iconography
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X.1 Sacral Iconography
X.2 Profane Iconography
X.3 Concetti
XII Natural History
XI Conservation | Restoration
XIII Reception
Type
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I Manuscript
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I.1 Primary Source
I.2 Secondary Source
II Book (printed)
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II.1 Monograph
II.2 Dictionary | Encyclopaedia
III Periodical (printed)
Language
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Czech
Dutch
English
French
German
Italian
Latin
Spanish
Century
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Antiquity
500–999
1000–1399
1400–1499
1500–1599
1600–1699
1700–1799
1800–1899
1900–1999
2000–now
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X.3 Concetti
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